Hi! I’m Rachel and I have a recently-rediscovered passion for sewing.
Just over a month ago I put out a plea for help on this blog. I had three metres of a beautiful and delicate geometric print fabric imported from Japan and purchased in sunny Barcelona and I just didn’t know what to do with it!
I had narrowed it down to two options, the first a classic and comfortable Emery, then second a clean, modern Anna. With your help I made my decision and here she is…
Say hello (again!) to By Hand London’s Anna!
I say again because I have made Anna once before, all the way back in June (that’s a long time in sewing days!). As I recall my Anna was something of a labour of love at that time and I promised myself that once I had attempted a few more makes and picked up a few more skills along the way I would come back to this pattern.I must say that she has been worth the wait.
I am so pleased with the improved fit, a legacy from my hard work understanding my body shape and assembling Simplicity 8523E. The close alignment of the delicate print in the multiple skirt panels owes it debt to Chardon, this skirt featuring a bolder but no less complex print.
Anna Take Two really does feel like a culmination of all of my sewing experiments in the past few months and I can’t begin to describe the great satisfaction in seeing your skills progress.
With my first Anna I really struggled with fitting the bodice although I have since discovered that this is not an uncommon difficulty with the pattern. All my subsequent research has pointed to the neckline being a source of difficulty for a number of seamstresses.
Having made such a hash of it first time around I feel I have gained a some great experience in making the bodice work which I would like to share with you in greater detail in
my next post. Be sure to stop by on Thursday for that greater detail. in this post right here.
In the meantime a few general notes on the bodice. I did decide to go against my standard fit today and not add my usual extra inch as I felt the hem fell in the right place for making my waist look as small as possible. I also followed a trick first tested in my Mrytle top in cutting the neckline to a size 10 and bringing the pattern up to a size 14 through the curve of the arm holes, thus accounting for both my small shoulders and my breast cup size.
This time around I decided to cut a v-neck line as per variation 2 of the pattern. The motivation behind this change was not only personal preference but also in the name of fit. Putting this in the most delicate way possible whilst I may not the most well endowed in the breast area, I do still have a fair handful. With Anna v1 I found that the pleats and any subsequent alterations for gaping necklines etc, resulted in a slight stretching of fabric around the breasts. I have since found that the v neck is a more comfortable fit in this respect and avoided any unnecessary stretching.
Swiftly changing the topic away from my breasts, I also decided to put in what has turned out to be an exposed zip. As this rather confusing sentence may suggest this wasn’t supposed to be exposed zip, actually it was supposed to be an invisible zip. I know what you’re thinking now, this is surely the most visible zip in the history of the world, how could this have happened?
The short answer here is that I seem to have purchased a duff zip. Ok, ok I know a bad workman blames their tools but this zip didn’t even want to do what she was created to do – zip up. Some quick thinking, aka bending to her will, and she became an exposed zip and you know what? I think she looks pretty good for it.
As my final word for today I have to say Anna is surely one of my favourite patterns. Clean, modern, versatile she has it all, have you made Anna yet?